Monday, July 26, 2010

Darius Rucker to release second country album on October 12th

(Associated Press)

NASHVILLE, Tenn. — Darius Rucker wrote 77 songs for his new album. That's not a misprint.

Most of them ended up not making the cut for "Charleston, SC 1966," Rucker's follow up to his country breakthrough, "Learn to Live." The new album will be out Oct. 12, and will include 12 new songs. Rucker said it was no problem coming up with a final track list.

"We just listened to them and saw what was rising to the top," Rucker said. "When I say that, people say to me, 'Man, that must be a hard decision.' No, not really. The best songs really rise to the top."

"Learn to Live" has sold 1.4 million albums, according to Nielsen SoundScan, and earned Rucker the Country Music Association's best new artist award. The 44-year-old former Hootie and the Blowfish singer was the first black performer to win a major individual CMA award since Charley Pride in 1971-72.

Rucker says the many fans of "Learn to Live" can expect something very similar to "Charleston, SC 1966."

"I don't think it's going to be light-years different," Rucker said. "I don't think we set out to reinvent the wheel or do a new sound. I think this record is more of an expansion of the last record than anything else. It's like picking up where the last record left off."

The album's title is a reference to his hometown, the year of his birth and a tribute to Radney Foster's first solo album, "Del Rio, TX 1959." He said it was listening to Foster that first made him realize the possibilities of country music.

"It was his voice," Rucker said. "It was really the first time where I had heard country music where I thought, 'Man, I could sing that.' I always liked it, but it was always, I never really knew I could play it. But then I heard Radney and it was like, 'Wow, that guy's amazing.'"

Rucker teamed with producer Frank Rogers again and says it's a comfortable partnership. Rogers was one of several songwriters who teamed with Rucker to write material for the album. The singer says it's not out of the ordinary for him to write dozens of songs for an album. He wrote 52 for "Learn to Live." He and a co-writer can turn out six to nine new songs over three days, he said, and he teamed with several writers while on tour, in Nashville and at his home.

Rucker says some really good songs didn't make the cut because they didn't fit what he was looking for on the album. He has begun offering them to others, something he didn't do with the first album.

"I think it was one of those things where I think the last record it would've been hard to have somebody cut a song that we wrote," Rucker said. "I was just so new. It was like, 'Who wants a Darius Rucker castoff?' They might want one now."

Tuesday, July 20, 2010

Mavis Staples - You Are Not Alone - new album due this September

Rock and Roll Hall of Famer and soul/gospel legend Mavis Staples delivers more wall-to-wall joy on her triumphant new Anti- album, You Are Not Alone (September 14), than any other release you’re likely to hear this year.

Produced by fellow Chicagoan Jeff Tweedy at Wilco’s studio The Loft, the intimate and textured production showcases the iconic singer at her most powerful and fervent. You Are Not Alone mixes traditional gospel numbers with two new songs written for Mavis by Tweedy, plus her unique interpretations of songs by Pops Staples, Randy Newman, Allen Toussaint, John Fogerty, Rev. Gary Davis and Little Milton.

The album features Mavis’s touring band of the last three years: Rick Holmstrom, guitar, vocals; Jeff Turmes, bass, vocals; Stephen Hodges, drums; Donny Gerrard, background vocals; plus special guests Jeff Tweedy on guitars, bass, and vocals; Wilco’s Patrick Sansone, keys, vibes; Mark Greenberg, vibes, keys; with additional background vocals by frequent Neko Case collaborators Kelly Hogan and Nora O’Connor, and Richard Parenti.

You Are Not Alone is Mavis’s second studio release for Anti. It follows her 2007 critical triumph, We’ll Never Turn Back, produced by Ry Cooder, which revisited the great songs of the civil rights era and prompted her hometown paper The Chicago Sun-Times to hail her as “an American treasure.” In 2008, Anti- issued a rapturously received live album, Live: Hope at the Hideout, which was named one of the Best Live CDs of All Time by Amazon.com’s editors and earned Mavis her first Grammy-nomination as a solo artist.

Mavis Staples is enjoying a major career resurgence, having become a festival favorite in recent years. This summer she will play Lollapalooza on August 6, and the Wilco-curated Solid Sound Festival at Mass MoCa on August 14 with additional US and European tour dates to be announced soon.

Track listing for Mavis Staples, You Are Not Alone

1. You Don’t Knock (Pops Staples/Wesley Westbrook)
2. You Are Not Alone (Jeff Tweedy)
3. Downward Road (Pops Staples)
4. In Christ There is No East and West (traditional; arranged by Jeff Tweedy)
5. Creep Along, Moses (traditional)
6. Losing You (Randy Newman)
7. I Belong to the Band (Rev. Gary Davis)
8. Last Train (Allen Toussaint)
9. Only the Lord Knows (Jeff Tweedy)
10. Wrote A Song for Everyone (John Fogerty)
11. We’re Gonna Make It (Little Milton)
12. Wonderful Savior (traditional)
13. Too Close To Heaven / I'm On My Way to Heaven Anyhow (Prof. Alex E. BradfordJr./Brad Pathway)

www.mavisstaples.com

Thursday, July 15, 2010

Jimmy Scott to celebrate 85th birthday at Blue Note New York


Jazz legend, 'Little' Jimmy Scott is to celebrate his 85th birthday with a series of performances. Jimmy will appear with his band, The Jazz Expressions for 4 shows between August 31st and September 1st 2010.

The life of Jimmy Scott is not one of meteoric stardom but a journey that has taken nearly seventy years to find its much deserved success.

One of ten children, James Victor Scott was born in Cleveland, Ohio on July 17, 1925 .

He was only 12 years old when he became known as a singer around Cleveland . While in his teens a Comedian saw the potential in Jimmy, he was Tim McCoy from Akron. Whenever Tim got a “gig” around Northeast Ohio, he would take Jimmy along with him on the bill. Jimmy would sing at different clubs, they would sneak him out before the cops arrived, because he was not only under age, but looked even younger than his actual years. Later Jimmy produced the Summer Festivals, a group of talented youngsters, like his friend jazz baritone singer Jimmy Reed and dancer Barbara Taylor,that would put on shows all around the area.

They also worked and put on shows at the Metropolitan Theater where the big bands would come in to play, Jimmy set up a concession to supply the Artists with soap, clean towels, and toiletries. He was hired by the dance troupe, “The Two Flashes”, Jimmy took the job to be close to show business, its players, and the stage. While in Meadville, PA. they were working with some of the greatest jazz musicians of the day, Lester Young, Slam Stewart, Ben Webster, Papa Jo Jones, and Sir Charles, to name a few. Every time the band ran into Jimmy, they'd ask him to come up on stage a do a couple numbers.

Jimmy joined Lionel Hampton's Band in 1948, where he discovered the vibraphone and the strings, of which Jimmy said “helped him to learn the beauty of the song" and encouraged him to sing. Lionel was a mentor to Jimmy and the one who tagged him with the stage name, “Little Jimmy Scott”, at the time he was 23, only 4'11,” thin, and very young looking. Jimmy said it was a gimmick for Lionel's show, but it wasn't too many years later that you started hearing more singers take their cue from Jimmy's stage name and call themselves Little So & So.

Jimmy met Estelle “Caldonia” Young in the early 1940's; she took Jimmy on her road show as the featured singer. Caldonia became almost a surrogate mother to Jimmy, having lost his own mother at age 13. “Caldonia's Revue” traveled the southern circuit to the east, they put up their own stages in the rural areas. There were featured male and female vocalists, tap dancers, comedians, an M.C. and Caldonia herself, who she was an exotic shake dancer and contortionist. It was essentially like a touring vaudevillian tent show. Some of the others who worked with Caldonia at one time or another were Ruth Brown, Big Maybelle, Elie Adams, and Jack McDuff. Caldonia took Jimmy along with her to do a special performance at Gamby's in Baltimore in 1945, where he met up with his friend Redd Foxx who was also appearing at Gamby's. They went over to the Royal Theater to see Joe Louis. Redd and Joe told Jimmy he should be in New York performing instead of traveling around to those small towns.

They convinced him he could make it on his own, the way he sang. So they talked to Ralph Cooper who called up Nipsy Russell, the M.C. at the Baby Grand in Harlem and arranged for Jimmy to get a one week booking. Jimmy sang that one week and they kept him on for 3 more months! Billie Holiday would show up nightly while in town to listen to Jimmy. Doc Pomus was in the audience during that first week and wanted to meet this amazing singer, Jimmy said “sure” and they became fast friends. Doc took Jimmy home to have dinner to meet his parents and little brother Raoul Felder. He also showed Jimmy how to get around on the N.Y. subway system. Their friendship lasted over 45 years. Jimmy sang at Doc's funeral in 1991. It was there that record label owner Seymour Stein heard Jimmy sing and practically signed him on the spot, thus the beginning of Jimmy's re-emergence as a singer with his Grammy nominated comeback album “All The Way.” At age 67 he began to tour the world, where he was introduced to new appreciative audiences and legions of new young fans. Now, the press refers to him with reverence as the Golden Voice of Jazz, the Legendary Jimmy Scott.
After a long climb, things are really looking up for Jimmy Scott. He's established a dedicated international audience through triumphant tours of Europe and Japan; he's been the featured subject of a Bravo Profiles television special, and of an in-depth biography by award-winning author David Ritz (Faith in Time: The Jazz Life of Jimmy Scott, due out in the fall of 2002 from Da Capo Press). Now, with But Beautiful, Jimmy Scott fleshes out a persuasive portrait of his jazz mastery and storytelling. "It represents a logical evolution of our Milestone sessions," concludes Barkan, "and everything Jimmy has worked so hard for." Mr. Scott adds a final coda: "The record is quite simply exquisite, and I really am as proud of it as anything I've ever done in my life."

Scott himself has always focused his creative energy on the challenges with which this life has presented him. "Ya gotta go on," he says, and not resignedly, "fortunately, I had the music to comfort me." He has said that there isn't any disappointment in heaven, and when asked what this means, he replies, "Heaven is what you make it. You can make it hell here on earth, or you can make it heaven."

Of the success he's achieved relatively late in life, Scott says, "I'm pleased now that (my voice) is pleasing to people. In a way, I feel like now maybe people will hear what I have to offer, whereas before the music never got to a level where all people had access to it. "All I can do is give what I really feel."

For ticket bookings, visit: http://www.bluenote.net/newyork/
Jimmy Scott's official site: www.jimmyscottofficialwebsite.org/

Tuesday, July 13, 2010

DRG RECORDS is proud to announce the solo album debut of Jane Krakowski, the Tony Award winning Broadway star of Nine and Damn Yankees and the Emmy Award nominated star of "30 Rock" and "Ally McBeal." The Laziest Gal In Town is the delightfully sexy CD captured last fall during her nightclub debut at the Park Avenue hotspot Feinstein's at Loews Regency. The disc will be in stores and online July 13, 2010.

The Laziest Gal In Town - named for the droll Cole Porter title cut - lets Jane shine in a charming variety of standards, show songs and rarities. She recreates her acclaimed theatrical triumph as the evil temptress "Lola" in Damn Yankees with "A Little Brains, A Little Talent." A medley of two zippy Jazz Age ditties, "Wacky Dust" and "When I Get Low, I Get High" - first popularized by the young Ella Fitzgerald - playfully sends up drug culture. Her modernized version of "Diamonds Are A Girl's Best Friend" from Gentlemen Prefer Blondes is furnished with clever new lyrics from The Wedding Singer co-writer Chad Beguelin. The bouncy mod-60s classic "Thirteen Men" pays homage to the sensual screen siren Ann-Margret. The highlight of the evening - the number that brings down the house every night - is "Tweet," a reworking of Rodgers and Hart's "Zip" from Pal Joey with new lyrics by Marc Shaiman and Scott Wittman (Hairspray, Catch Me If You Can). She ends the disc with an adult take on the "Sesame Street" favorite "Rubber Duckie," in a way that only Jane could do.

All arrangements are by music director Michael Kosarin, who is joined by Jay Leonhart on bass; John Redsecker on drums; Kevin Kuhn on guitar and ukulele; and Lawrence Feldman on flute, clarinet and saxophone. The album, produced by Hugh Fordin, also features liner notes by author and Wall Street Journal music critic Will Friedwald.

Jane Krakowski stars as "Jenna Maroney" in NBC's Emmy Award-winning "30 Rock," a workplace comedy where the workplace exists behind-the-scenes of a live variety show. Krakowski, along with the "30 Rock" cast, won the 2008 Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. In 2009, she received an Emmy nomination for Best Supporting Actress in a Comedy for her portrayal of Jenna.

The New Jersey-born beauty is an accomplished actress, dancer and singer with numerous awards and credits to her name from film, theatre and television. She won Tony, Drama Desk and Outer Critics awards for her stunning and sultry portrayal of "Carla" in Broadway's Nine opposite Antonio Banderas, and won an Olivier Award while starring in Guys and Dolls with Ewan McGregor in London's West End. She earned her first Tony nomination for her work in the production of Grand Hotel, and has also starred in Company, Once Upon A Mattress, Tartuffe and Starlight Express. Most recently, Krakowski starred in the Encores! revival of Damn Yankees opposite Sean Hayes.

During her five-year stint on the Emmy, Golden Globe and SAG award-winning series "Ally McBeal," she received a Golden Globe nomination for her portrayal of "Elaine Vassal." Other television credits include appearances on NBC's "Law & Order: Special Victims Unit" and "Everwood."

Making her film debut as "Cousin Vickie" in National Lampoon's Vacation with Chevy Chase, Krakowski has also starred alongside Jude Law in Alfie, and in Pretty Persuasion with Evan Rachel Wood and James Woods. In addition to lending her voice to the animated film Open Season from Sony Pictures, she co-starred opposite Abigail Breslin in the family film Kit Kittredge: An American Girl, and in the NBC Christmas Special "Muppets: Letters to Santa." She next appeared in the Universal feature, Cirque du Freak: The Vampire's Assistant, from director Paul Weitz.

In addition to singing on several original Broadway cast recordings and the "Ally McBeal" Christmas episode compilation CDs, Krakowski recorded the hit single track "You" with Jim Brickman on his album Lovesongs and Lullabies.

For over 35 years, DRG Records has been a leader in Broadway cast recordings, film soundtracks, jazz and legendary cabaret performers. Recently, DRG has taken on a large scale venture in releasing long-out-of-print & first-time-on-CD releases. The label has received numerous Grammy Awards and nominations for its cast recordings and vocalists. DRG is a division of E1 Music and E1 Entertainment, the fastest-growing music company and the market leader among independents in North America. For more information on the labels and roster of artists, please visit www.drgrecords.com.